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vicious-violet:

foervraengd:

elliotoille:

felt like doing a tutorial thingy (what should I call these??) again! I think I’ll make a tag for these in case I do more. This time I’m gonna talk a little about how angles affect how clothing falls aaaand stuff. here we go…
Given: The first drawing of these three is how the clothing naturally wants to fall, how it is made to be shaped. Or, whichever pose you could take that will give the garment the least amount of creases.
I’ll actually talk about the green first; this is a representation of the hip box, which itself is a representation/simplification of your whole pelvis area. You see how your legs and hip box oppose angles here. in almost all poses except standing straight, your hip box and legs will create a bent angle, which affects how clothes fall.
The red/blue is the skirt (obvs), the red specifically is the ellipses of the top and bottom openings of the skirt. This skirt is very stiff material for the sake of this example, so notice how the two ellipses always match eachother. the top ellipse is where the skirt is actually attached to the body, so it’s the boss; the bottom ellipse will more or less do exactly what the top one does.
here’s where the fact that the legs and hip box are at different angles becomes important. The top of the skirt is attached to the hip box, but the bottom ellipse is in the realm of the legs. The orange lampshade shape diagram there is a simplification of this. It is very much like if you were to tilt a lampshade. The side you are bending towards will hug the body and create creases. The side you are bending away from will fall off the body in a straight line.

It even works with pants, though as the bottom ellipse(s) gets farther away from the top there’s more room for the garment to get distorted by gravity, perspective, and bent knees and such. But with this last example you can really see how the side touching the legs really hugs the body underneath, whereas the other side hangs off of it in a straighter, crease-less line.
Dresses are a little different because their top ellipse is attached to your torso/ribcage mass rather than the hip box.

Much of the time you get the same result as with a skirt. However if the hip box and ribcage mass are opposed sideways rather than forward or backward, it becomes a little tougher:

You can see in the third drawing how a shirt and a skirt together would fall in opposite ways if your body is bent sideways. If the shirt is long, just like I mentioned above about the long pants, there is more distortion of this effect.
I’ll take what I said above, “The side you are bending away from will fall off the body in a straight line”, and add a bit to the end: “… until it hits something.” In the fourth drawing above, the garment is falling off the body in a straight line on the right side. If you lengthen the garment:

The straight side continues down as normal until it hits the leg and becomes the body-hugging side. in response to that, the body-hugging side from farther up becomes the straight side when it falls off the hip.
Aaand with that I think I’ll stop lol. I hope that wasn’t hard to understand. It’s easy to do yourself, just wear a skirt or some loose pajama pants and take hula poses in the mirror lol.

For all of you who have been longing for ME to make a tutorial about clothes, I truly recommend you to read this post. Since it covers the area in clothing that many other tutorials never mention, clothing is more than just “drawing folds and wrinkles”, it’s about knowing how the design and the behavior of our bodies affect it.
So yeah.
Read this. Please. It’s so easy explained.

Get on my blog, useful information.

vicious-violet:

foervraengd:

elliotoille:

felt like doing a tutorial thingy (what should I call these??) again! I think I’ll make a tag for these in case I do more. This time I’m gonna talk a little about how angles affect how clothing falls aaaand stuff. here we go…

Given: The first drawing of these three is how the clothing naturally wants to fall, how it is made to be shaped. Or, whichever pose you could take that will give the garment the least amount of creases.

  • I’ll actually talk about the green first; this is a representation of the hip box, which itself is a representation/simplification of your whole pelvis area. You see how your legs and hip box oppose angles here. in almost all poses except standing straight, your hip box and legs will create a bent angle, which affects how clothes fall.
  • The red/blue is the skirt (obvs), the red specifically is the ellipses of the top and bottom openings of the skirt. This skirt is very stiff material for the sake of this example, so notice how the two ellipses always match eachother. the top ellipse is where the skirt is actually attached to the body, so it’s the boss; the bottom ellipse will more or less do exactly what the top one does.
  • here’s where the fact that the legs and hip box are at different angles becomes important. The top of the skirt is attached to the hip box, but the bottom ellipse is in the realm of the legs. The orange lampshade shape diagram there is a simplification of this. It is very much like if you were to tilt a lampshade. The side you are bending towards will hug the body and create creases. The side you are bending away from will fall off the body in a straight line.

imageimage

It even works with pants, though as the bottom ellipse(s) gets farther away from the top there’s more room for the garment to get distorted by gravity, perspective, and bent knees and such. But with this last example you can really see how the side touching the legs really hugs the body underneath, whereas the other side hangs off of it in a straighter, crease-less line.

Dresses are a little different because their top ellipse is attached to your torso/ribcage mass rather than the hip box.

image

Much of the time you get the same result as with a skirt. However if the hip box and ribcage mass are opposed sideways rather than forward or backward, it becomes a little tougher:

image

You can see in the third drawing how a shirt and a skirt together would fall in opposite ways if your body is bent sideways. If the shirt is long, just like I mentioned above about the long pants, there is more distortion of this effect.

I’ll take what I said above, “The side you are bending away from will fall off the body in a straight line”, and add a bit to the end: “… until it hits something.” In the fourth drawing above, the garment is falling off the body in a straight line on the right side. If you lengthen the garment:

image

The straight side continues down as normal until it hits the leg and becomes the body-hugging side. in response to that, the body-hugging side from farther up becomes the straight side when it falls off the hip.

Aaand with that I think I’ll stop lol. I hope that wasn’t hard to understand. It’s easy to do yourself, just wear a skirt or some loose pajama pants and take hula poses in the mirror lol.

For all of you who have been longing for ME to make a tutorial about clothes, I truly recommend you to read this post. Since it covers the area in clothing that many other tutorials never mention, clothing is more than just “drawing folds and wrinkles”, it’s about knowing how the design and the behavior of our bodies affect it.

So yeah.

Read this. Please. It’s so easy explained.

Get on my blog, useful information.

Tutorial: from paper to digital.

kaiami:

Hey ya’ll! I’m not much of a tutorial person, but this was a technique that I learned from Syuzuki, one of my favorite artists back in the day, when I was 13. I memorized the technique and it’s been one of the most useful things I can do on photoshop. This was something that really helped me, and I hope that it will be useful for even some of you.

In this tutorial, I will be going step by step how I take something from my sketchbook and color it on photoshop.

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antiale:

4 all u kids who wanna study some figure drawing/anatomy

All the downloads are free they only take a little bit time to download because these are big files!

idk-how-to-art:

Src:

This is showing how you grip a sword

thetroglodyte:

I got asked about eyes and how to convey expression through them, so I doodles some quick stuffs to help explain.

So have some eyeballs.

kelsothedancingllama:

2muchbullshit:

basically:

  1. one of number one should be tie-dye fabric, the other the main color of your modus card. i’d do mine in red if i were actually making this
  2. you’ll need two of number two, wish should be half the width of the red line, which is the thickness of your bag, plus like a quarter inch on either side? you’ll be attaching this to a zipper and to the sides of the bag. the length is however long that green line is.
  3. 3, 4, and 5, are the sides of the bag. they all need to be the same width, obviously, and you need a seam allowance. 
  4. covered above
  5. 5 will also attach to piece 6 to form the main strap. the phone holder i showed in the top image would attach to piece 5, it’s just a snug pocket that would fit your phone and not let it slide out.
  6. 6 will be identical to the top half of 5.
  7. 7 is a white piece of the same type of fabric you’re using for the main bag. all the pieces above except for one of piece 1 will be in the main fabric color. this piece is the face of your captchalogue card.

instructions i guess?

  • add a 1/4” seam allowance around everything. 
  • buy a zipper the same color as your main bag and as long as piece #2.
  • buy a length of like strap fabric?? this is usually in the ribbon and trim section of the fabric store, i have no idea what it’s called. get it as long as you want your strap to go and for good measure add like another half of that onto it.
  • fuse piece 7 onto the front of the main colored piece 1 or if u fancy, sew it on. hide the edges!! like hem that shit or something. i dont know sewing words dude.
  • sew the purse… together… ??
  • for extra fun: buy some mesh and elastic or w/e and attach it to the front white part as plastic.
  • for extra usability: line the bag and create an interior pocket?? i dont actually know how to do this haHAHA OOPS
  • fill it with crap
  • or wear it with your homestuck cosplay

uhm.
yes.

helpfulharrie:

Source: Coyotemange

See Also:
(click)

Is this even a body type tutorial?

sdalla:

Wheew. Enjoy!

—-

FUN WITH PHOTOSHOP BRUSH SETTINGS is a set of tutorials I’m making, because I realized there’s a lot I don’t know about brush settings :D. I’ve learned so much so far, I hope you guys find them useful as well!

Making more of these as we speak,
NEXT UP:
- Brush tip shape & Brush Pose (which was supposed to be part 1 but I finished this one first :D) STAY TUNED!

BASICS EVERY ARTISTS SHOULD KNOW:

helpyoudraw:

Basic Drawing Exercises:
http://youtu.be/8ckiHpmkoaM

How To Draw “Good” Lines:
http://youtu.be/eDWK1PWbyS8

Learn How To “Control” Your Pencil:
http://youtu.be/SdRSpYPQFNo

How Shading Works:
http://youtu.be/WzszH9BN_hI

How To Shade & Blend:
http://youtu.be/IY1t6rwbJyw

Shading, Lights & Form
http://youtu.be/V3WmrWUEIJo

How To Built Up Contrast:
http://youtu.be/1hNXlPcgafI

reaill:

nagareboshi-yue:

pisarat:

pix-original:

「[鉛筆描き] 腰周りの男女の描き分け+筋肉考察☆腐向け含☆」/「チカライヌ」の漫画 [pixiv]

EYEYSYYES I NEEDED THISOMG

I will reblog this because it seriously annoys me when guys are drawn with girly crotches.

perfect

reaill:

nagareboshi-yue:

pisarat:

pix-original:

「[鉛筆描き] 腰周りの男女の描き分け+筋肉考察☆腐向け含☆」/「チカライヌ」の漫画 [pixiv]

EYEYSYYES I NEEDED THISOMG

I will reblog this because it seriously annoys me when guys are drawn with girly crotches.

perfect

helpyoudraw:

Blue Reflected Light by toerning from DeviantArt